SIR RICHARD ROGERS

Richard Rogers, in partnership with Renzo Piano, revolutionised modern architecture with the Centre Pompidou, completed in 1977. Rogers’ innovative approach emphasised transparency, flexibility, and a rejection of traditional design norms. His “inside-out” concept exposed the building’s structural and mechanical elements—pipes, ducts, and escalators—on the exterior, liberating interior space for versatility. The vibrant color-coded exterior components are both functional and decorative, symbolizing a dynamic, democratic architecture. Rogers aimed to create a cultural hub that was accessible and engaging, making the building itself part of the urban experience. This radical, high-tech design challenged conventions and transformed the relationship between architecture and the public. Location: London, UK.

His design for the Lloyd’s Building in London, completed in 1986, epitomizes his high-tech architectural style and innovative vision. Another example the “Inside-Out Building,” it features exposed structural elements and services, such as elevators, pipes, and ducts, placed on the exterior. This approach maximizes interior space and allows for easy maintenance and future adaptability. Rogers aimed to create a flexible, functional workspace that could evolve with the needs of Lloyd’s of London. The bold design, with its striking stainless steel cladding, challenged conventional architecture and became an iconic feature of London’s skyline, showcasing Rogers’ commitment to transparency, efficiency, and modernity. Photo: Timothy Soar

The Millennium Dome (now The O2) in London, completed in 1999, reflects his innovative approach to large-scale, flexible structures. Rogers envisioned a vast, lightweight building that would serve as a dynamic public space, utilizing cutting-edge tensile architecture. The Dome’s circular form, 365-meter diameter (symbolizing days of the year), and striking roof, supported by 12 yellow masts (symbolizing months), demonstrate his attention to symbolism and structural clarity. Emphasizing transparency and openness, the design integrates natural light and creates a versatile space adaptable for various events. The Millennium Dome remains a landmark, showcasing Rogers’ mastery in creating iconic, forward-thinking public architecture.

Completed in 2005 with Antonio Lamela, exemplifies his commitment to creating light, spacious, and user-friendly environments. Rogers emphasized transparency, utilising expansive glass façades and a wavelike bamboo roof that allows natural light to flood the terminal. The design focuses on enhancing passenger experience, featuring a clear layout for easy navigation and reducing travel stress. Color-coded structural elements aid in wayfinding, while the open, flexible space accommodates growing capacity. The terminal’s innovative use of sustainable materials and natural ventilation showcases Rogers’ forward-thinking approach, blending aesthetics, functionality, and environmental responsibility, making it a landmark in airport architecture.

The Leadenhall Building in London, completed in 2014, embodies his high-tech architectural style and vision for innovative urban spaces. Known as the “Cheesegrater” for its distinctive sloped profile, the building’s tapering shape was designed to preserve sightlines to St. Paul’s Cathedral. Rogers employed an exposed steel framework and glass façade, highlighting the building’s structure and creating a sense of transparency. The external core design, with elevators and services placed on the outside, maximizes interior office space and facilitates maintenance. This approach reflects Rogers’ focus on flexibility, functionality, and the seamless integration of architecture within the historic cityscape.